In Romagna on the trail of Leonardo da Vinci

Starting from Rimini, let’s sit on the edge of Fontana della Pigna (once in Piazza dell’Arengo, today in Piazza Cavour) to observe the water just like Leonardo did, which described the fountain’s harmonious effect in his secret notes: “Fassi un’armonia colle diverse cadute d’acqua, come vedesti alla fonte di Rimini, come vedesti addì 8 d’agosto 1502”.
A verse that leads us back in time, when the fountain was to become, as can be seen from Leonardo’s drawings, a futuristic device that would have used water not as a pump, but by making the water sound, while falling into vases of different shapes.

Rimini, Fontana della Pigna, Ph. paperoastro

From Rimini we reach the nearby Cesena, where Leonardo arrived for the San Lorenzo celebration. Here the Rocca of the city, today called Rocca Malatestiana, located on the top of the Garampo Hill, is the place to visit in the footsteps of the Maestro. Cesena is the city that Cesare Borgia wanted to enlarge and embellish to make it the seat of his court. In what is today the magnificent Piazza del Popolo, Leonardo made reliefs of the walls and the fortifications. The massive curtain wall of the southern front of the Rocca Nuova was changed in 1503 with the creation of walls called “alla franzoza” to face the new siege techniques, block the increasingly devastating blows of heavy firearms and have direct control of the territory. This ingenious defense system, still preserved on the walls of the Rocca, was probably approved by Leonardo da Vinci. It’s interesting to note how the shape assumed by the artillery loopholes is the same as Leonardo’s drawings.

Cesena, Fontana Masini in Piazza del Popolo, Ph. maria_bernadette_melis

At the beginning of September Leonardo reached Cesenatico. The entrance of the fourteenth-century Canal Port risked to be buried and the Maestro made the relief and a bird’s eye drawing of it, taking the view from the top of the lighthouse to better see the structure and suggest improvements to the pre-existing landing. He modified the orientation and the length of the single palisades and widened the connected basins, so that the sea water could enter and accumulate, blocked by mobile bulkheads, and then flow quickly during the low tides and, with the outflow, keep the entrance free. The project remained just on paper, but the Leonardo’s Canal Port of Cesenatico is today one of the most important monuments of the city and a walk along the canal allows you to fully enjoy the architectural beauty and warm atmosphere of this seaside town.
Don’t miss the visit of the Floating Maritime Museum, with the old fishing boats of the Upper Adriatic moored with the ancient sails decorated with natural soils and with the symbols of the fishermen’s families, and the section on the ground of the Museum, of 3 thousand sq dedicated to traditional boats.

Cesenatico, Floating Maritime Museum on the Canal Port, Ph letizia_carabini

Leonardo resumed his journey toward Faenza, where his passage is testified by the drawing he made about the Cathedral in Piazza della Libertà, whose majesty fascinated Da Vinci so much that he remembered it on his travel notebooks. In Leonardo’s drawings we can see unequivocal anomalies respect to the Faenza’s Cathedral: the Basilica building has no polygonal apse, which would date the construction of the current apse not before 1502, a doubt that may never be totally dissipated, but that becomes a starting point to admire the beauty of this magnificent Basilica.
You can’t leave Faenza without having visited its historic ceramic workshops, an art that enchanted also Leonardo. He talked about Faenza’s ceramic handicraft in its Hammer code.

Faenza’s Cathedral

Leonardo’s longest stay, however, was in Imola, where he stayed until December. Imola in that autumn atmosphere of 1502 was a real military camp, where Cesare Borgia gathered thousand of weapons and men. In the clamor and excitement of this parade ground, Leonardo walked with his helpers through the streets and the neighborhoods, drawing walls and devices. Among the most precious fruits of his stay in Imola is the city plan, now kept in the Royal Library of the English Castle of Windsor. Walking through the streets of the historic center of Imola, retracing the same streets of Leonardo, looking at the squares, buildings and walls, is a timeless experience. Leonardo imagined these streets inscribed in a circle divided by eight rays bearing the names of the winds and, in the lower part of the map, in a sort of natural counterpoint to the geometric division of spaces by man, he designed the flow of the Santerno river with wide blue lugs.

Imola, Fortress, Ph lupo1959

Our itinerary ends in the natural environment of Santerno, the river that connects Romagna to Tuscany, homeland of Leonardo: a river that offers suggestive scenery and embankments that seem shaped for bathers, including natural pools, waterfalls, white and smooth rocks perfect as solarium.

“Leonardo Da Vinci and Romagna” Museum in Sogliano sul Rubicone

Dedicated to the “Romagna period” of Leonardo da Vinci, this small museum aims to illustrate the characteristics of the territory and its traditions through the observations and analysis of this extraordinary man of talent. The Museum is divided into two sections: a scientific one and a ethnographic one.
The first one documents, through the exhibition of anastatic copies of manuscripts, studies, drawings and notes, the analysis about aspects of physics, mechanics and hydraulics, carried out by Leonardo during his stay in Romagna.
The second presents studies on the customs and traditions of 16th century, with particular reference to the theme of water, sound and nature. Here we report the presence of models and images of the “concavities” made in the San Donato park.